sábado, 22 de febrero de 2020

Zamographies, July 2-3, 2020 (postponed)


DUE TO THE COVID-19 VIRUS SITUATION WE ARE NOT ACCEPTING ENROLLEMENT AT THIS POINT. WE ARE MONITORING REPORTS, AND WILL TAKE A DECISION BY MID JUNE ON CELEBRATING OR NOT OUR CONGRESS. PLEASE, EMAIL US IF YOU HAVE QUESTIONS. 

City of Zamora, Spain


Enrollment through donations 20 € 👉

Certificate Sponsor 2020
Visit to Historic Jewish Quarter in Fermoselle
Book Presentations
Sephardic Food Tasting
Local Wineries Tour
Genealogical consultation 
Personalized Sephardic Route 
Filandón (Leonese traditional gathering)
and more    

Enrollment does not include lodging, here is a list of hotels (it will be regularly updated) offering discount for the event: La Hostería Real de Zamora (click here)
If you need assistance with hotel reservations let us know by email or WhatsApp (contact info below)

Call for Participation
                                                                           Our 2020 annual meeting wants to explore different Jewish branches of the Zamora last name, transliteration included, for example, Zamiro, Zamory, Zamir, Zmiro, Zamero, Zamorano*, in Spain and abroad. 

Genealogy, and the stories around it, allow us to explore itineraries across time and space; our goal is to present live connections among people researching their Jewish ancestry.   

Zamora had an important Jewish population in the Middle Ages, specially between the 11th and the 15th centuries. The first Zamora last name is registered for philosopher, and Kabbalist Abraham ben Solomon of Zamora (13th century), well known to his peers during his time.
  
Before and after 1492, this toponymic last name was used by judeocoversos, including Gabriel of Zamora, trialled by the inquisition in Seville 1481 (First seizure of marranos), and Alfonso of Zamora, founder of the Hebrew Language Studies at University of Salamanca (16th century), and later professor at Alcala de Henares. At the end of his life, he called himself “the last sage of Sefarad” (reference in Spanish).           
We invite you to share this Call for Participation with all persons interested in this topic. Enrollment is open to the public and, like every year, it covers several related events and activities like visit to historic Jewish Quarters, book presentations, Sephardic culinary demonstration, concerts and more.

For updates in the coming months you should visit this page or if you have questions, you can email us at centrocampanton@gmail.com or send a WhatsApp to +34 609 740 116

*Transliterations are changes in the word with the same linguistic root (Zam), for example: Zambrano, Zamatto, Zamero, Zamerro, Zamie, Zamlug, Zamra, Zamor, Zamorani, etc. In Portuguese language, Z usually changes to S. Here reference for Zamora last name at The Museum of the Jewish People (click here)


To know more about our previous events, see the pages with summaries: I, II, III, IV, V, VI, VII

lunes, 17 de febrero de 2020

Auschwitz, by León Felipe (Tábara, Zamora, 1884 – Mexico City, 1968)

To all Jews in the world,  my friends, my brethren

Those infernal poets,
Dante, Blake, Rimbaud…
keep it quiet…
don’t play so loud…
Shut up!
Any inhabitant of Earth today
knows more about Hell
than those three poets together.
I am sure Dante plays his violin very well
Oh, what a virtuoso!...
But he shouldn’t pretend now,
with his wonderful tercets, 
and his perfect hendecasyllables,
to scare that Jewish boy who has been ripped
from his parents;
he is alone.
Alone!
waiting for his turn
in the crematories of Auschwitz.
Dante… you descended deep into the Inferno
guided by Virgil’s hand 
(Virgil, “Gran Cicerone”),
your Divine Comedy was a funny adventure
of music and tourism.
This is different… something else.
How should I explain it?  
if you don’t have imagination!
You… don’t have any imagination,
remember, in your Inferno
there is not a single boy
and the one you see there…
is alone.
He is alone! With no Cicerone…
waiting for the gates of Hell to open, 
a hell that you, poor Florentine,
could not have even imagined it.
This is different, let me explain. 
Look! This is a place where nobody
can play a violin;
all the violin strings in the world will break here. 
Do you understand that, Infernal Poets?
Virgil, Dante, Blake, Rimbaud…
keep it quite!
Don’t play so loud... Shh!...
Shut up!
I am also a great violinist
and I have played in Hell many times…
But now, here
I break my violin… and remain silent.  
  
Listen to the poem read in Spanish by León Felipe (click here)
Translation into English: Jesús Jambrina
Touchstone, Art & Literature Magazine, Vol. 82
Viterbo University, La Crosse, Wisconsin, USA


León Felipe (Zamora, 1884 – Mexico City, 1968) is considered one of the major poets of the Spanish language in the twentieth century. He was also a playwright, and translator of American writers Walt Whitman and Waldo Frank. He graduated from Pharmacy, which brought him a nomadic life by working in different cities and towns. In 1920 León Felipe published his first poetry book in Madrid, titled The Walker’s Verses and Prayers. Soon after, he traveled to Equatorial Guinea to work at a hospital, and in 1922 he went for the first time to Mexico from where he visited the United States, and Panama. 

In 1936, León Felipe returned to Spain to fight in favor of the Spanish Republic against Francisco Franco’s fascist insurrection. In 1939, after a brief visit to France and Cuba, he returned to Mexico where he lived in exile until his death in 1968. 

León Felipe’s literary style was strongly prophetic with Biblical and Whitmanian influences, meaning a strong humanistic orientation. His writings delve deep into historical thinking as a call for a hopeful and socially just world. Since the arrival of democracy to Spain in 1975, León Felipe’s poetry has been valued as a testimony of the exiles during the Spanish Civil War; many of his poems have been musicalized,  and are greatly appreciated in both sides of the Atlantic as part of the Spanish American literary tradition.


 In 2002, the Zamora City Council in Spain acquired León Felipe’s original manuscripts, including many unpublished works, as the foundation for a future center of studies that will have his name. In 2010 the prestigious Spanish press Visor put in circulation the–so far–most complete collection of his poems. “Auschwitz” is included in the book Oh! This Old and Broken Violin(1965).